The Forms Of The Affects By Eugenie Brinkema
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Ugly Feelings Sianne Ngai
The Forms of the Affects This is a book is a groundbreaking interdisciplinary collection that will generate a great deal of penetrating discussion on a broad range of fronts.
Citation Brinkema, Eugenie. e.g., Dogtooth. World Picture 7:Autumn forms, as signs for criticism of the claustrophobia and insularity of the imprisoned
Film-Philosophy Film Bodies: Queer Feminist Encounters with
appraisals of film studies affective turn, including Eugenie Brinkema s reflections on affect and tautology (Brinkema, 2014, pp. 31 36) and Robert A. Rushing s work on hapticity and biopolitics (Rushing, 2016). These minor criticisms notwithstanding, Lindner provides a welcome guide through new terrain.
Laughter without Humor: Affective Passages through Post-War
Eugenie Brinkema. I ultimately argue that the messy burst of laughter disturbs the intelligibility of both self and text. In so doing, it clears a space to imagine new, provisional models of personhood that are based on affective entanglement rather than rational self-containment.
Ugly Feelings Sianne Ngai
Offering a bold corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction.
Eugénie By Pierre Augustin Caron De Beaumarchais
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Eugénie By Pierre Augustin Caron De Beaumarchais
eugenie brinkema may 24th, 2020 - eugenie brinkema s book is beautifully crafted at the level of the sentence and formidable in its overarching argument for the formal position of emotion exhilarating and important the forms of the affects is a work of mature intelligence and great imagination selected publications forthing' 'eugenia book by mark
University of Groningen Review of Eugenie Brinkema: The Forms
Eugenie Brinkema s The Forms of the Affects is remarkable for its virtuoso style: always am-bitiously crafted, often elegantly written, at times bordering on the literary. It has been a long time since a film theoretical text has put so much emphasis on language and played so osten-sibly with words.
Keeping the Concept of Cinematic Affect In Play
Shifting the lens to the relation of affect and form, Eugenie Brinkema s piece addresses the affective specificity of no longer being loved as a formal problem, in Blue is the Warmest Colour. Brinkema asks what specific insights a radical formalism might generate in relation to affective intensities.
Take and Eat Wonder Bread and Del Monte Tomatoes: Corita Kent
But in the hands of Kent it carried religious meaning and affects. If affects are divorced from reading for specific form, Eugenie Brinkema warns, affect theory will stand for the same model of vague shuddering of intensity. Brinkema, in The Forms of the Affects, argues for the necessity of affect theorists to read for the
Literature - Massachusetts Institute of Technology
May 07, 2014 Eugenie Brinkema published The Forms of the Affects, a monograph exploring the intellectual history of the emotions and their visual manifestations in popular and avant-garde film, with Duke University Press; her book was featured on the MIT homepage with an accompanying news office story ( Film, form and feeling, May 7,
CV December 2015
Componentry of Horror, ed. Eugenie Brinkema and Caetlin Benson-Allott. Spectacles of Atrocity: Mondo Video in the War on Terror, Afterimage 39.1&2 (August 2011). The Subject of Torture: Regarding the Pain of Americans in Hostel, Cinema Journal 49.4 (Summer 2010).
The Book Of Forms A Handbook Of Poetics
Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual construction. Through close readings of works by Roland Barthes, Hollis Frampton, Sigmund Freud, Peter Greenaway, Michael Haneke, Alfred Hitchcock, Søren Kierkegaard,
The Environmental Politics of Grief in the Queer Anti
In The Forms of the Affects, Eugenie Brinkema upends the notion that affects are arepresentational forces, proposing instead that they are formal operators untethered to the subject or the spectator s body.1 She formalizes grief by tracing St. Augustine s unbearable
Regarding Feelings and Forms
Regarding Feelings and Forms 5 archival and historical practices like Rea Tajiri s documentary of affect (325). The Forms of the Affects addresses a parallel yet quite different set of circumstances to those grappled with in Feeling Photography. Eugenie Brinkema s fearless monograph
Affect and Audiovisual Syllabus
Brinkema, Eugenie. Preface: Ten Points to Begin & Chapter 2: Film Theory s Absent Center, The Forms of the Affects. Durham: Duke UP, 2014. xi-xxx; 26-47. April 30. Final Presentations. ** Conference Paper Due on e-learning.
(Un)making the World: On Violent Feelings
For Eugenie Brinkema, violent feeling is best addressed as a question of form, rather than embodied experience or representation. Through a reading of the 2007 French film Àl intérieur, Brinkema theorizes the feel of horror as a sequence of responses between forms. These responses unfold over time LIT: LITERATURE INTERPRETATION THEORY 3
We Never Took Deconstruction Seriously Enough (On Affects
1) Eugenie Brinkema, The Forms of the Affects (Durham: Duke University Press, 2014), p. 25. 2) Julian Hanich, Review of Eugenie Brinkema: The Forms of the Affects. Projections: The Journal for Movies and Mind, vol. 9, no. 1 (2015), pp. 112 117.
Convention Daily 9 10 January 2016
Honorable mention: Eugenie Brinkema, Massachusetts Institute of Technology, for The Forms of the Affects (Duke Univ. Press, 2014) 33rd Kenneth W. Mildenberger Prize: James P. Lantolf, Penn State University, and Matthew E. Poehner, Penn State University, for Socio-cultural Theory and the Pedagogical Imperative in L2 Education: Vy-
Queer Affect Theory. Zum Verhältnis von Affekt und Trieb bei
1 Eugenie Brinkema: The Forms of the Affects, Durham, NC, London 2014, xi. 2 Melissa Gregg, Gregory J. Seig-worth: An Inventory of Shimmers, in: dies. (Hg.): The Affect Theory Reader, Durham, NC, London 2010, 1 25. 3 Für eine Zusammenfassung der wichtigsten Diskussionspunkte der Affekttheorie sowie eine wissen-schafts- und kulturgeschichtliche
Ugly Feelings Sianne Ngai
corrective to the emphasis on embodiment and experience in recent affect theory, Eugenie Brinkema develops a novel mode of criticism that locates the forms of particular affects within the specific details of cinematic and textual Page 1/8
AN EPISTEMOLOGY OF NOISE
Eugenie Brinkema, The Forms of the Affects (London: Duke University Press Books, 2014). EOI 206 not translate directly across disciplines but resonates through its
Feeling Takes Form: Recent Work in Affective Formalism
The Forms of the Affects. By Eugenie Brinkema. Durham, NC: Duke University Press, 2014. 368 pp. $28.00. Touching Feeling: Affect, Pedagogy, Performativity By Eve Kosofsky Sedgwick. Durham, NC: Duke University Press, 2003. 208 pp. $25.00. abstract While claiming to be a much-needed corrective to the dual disappointments of
Culture and Aesthetics List 2016 - Brock University
Eugenie Brinkema, The Forms of the Affects Title: Microsoft Word - Culture and Aesthetics List 2016.docx Created Date: 3/5/2016 7:40:22 PM
Journal of Visual Culture-2015-Brinkema-263-6
Eugenie Brinkema 607922 VCU 010.1177/1470412915607922journal of visual cultureBrinkema research-article2015 Keywords componentry t Horror t design t introduction t visual culture There is no genreless text; there is always a genre and genres, (Jacques Derrida, The law of genre, 1980: 65) yet such participation never amounts to belonging.
How to Do Things with Affects
Eugenie Brinkema 5 Integrating Affect and Language: Essayism as an Affective Practice in Robert Musil s The Man Without Qualities 100 Anne Fleig and Matthias Lüthjohann part 2 Sensations, Resonances, and Transformations 6 Affective Disfigurations: Faceless Encounters between Literary Modernism and the Great War 121 Tomáš Jirsa
Indledning - Aarhus Universitetsforlag
Duke University Press 2010, Eugenie Brinkema: The Forms of the Affects, Durham: Duke University Press 2014, og Britta Timm Knudsen & Carsten Stage: Affektteori i Bjørn Schiermer (red.): Kulturteori og kultursociologi, København: Hans Reitzels Forlag 2016. 2 To centrale udgivelser er her Brian Massumi: Parables for the Virtual: Movement,
4 Výstižnou kritiku negativní ontologie afektů nabízí zejména: Eugenie Brinkema, The Forms of the Affects. London and Durham:: Duke University Press 2014, s. 26 46. 9
In The Forms of the Affects, Eugenie Brinkema calls for a return to reading for form as a way to get at the specificities of affects, at the particular ways they work over the bodies with which they come into contact. For Brinkema, reading for form involves a slow, deep
Amsterdam School for Cultural Analysis University of Amsterdam
Eugenie Brinkema is Associate Professor of Contemporary Literature and Media at the Massachusetts Institute of Technology and currently a fellow in Media Studies at the University of Amsterdam. Her research in film and media studies focuses on violence, affect, sexuality, aesthetics, and ethics in texts ranging from the horror film to gonzo
THE INSCRUTABLE SPIRIT OF LOUIS SULLIVAN: TRANSCENDENTALISM
4 The phrasing of this point came to me when I first read the introduction to Eugenie Brinkema s The Forms of the Affects (Durham, NC: Duke University Press, 2014). On p. xiv she proposes that Affect is not the place where something immediate and automatic and resistant takes place outside of language.
Session 2 - America the Violent - MIT OpenCourseWare
Professor Eugenie Brinkema 21L.435/CMS.840 - At the Limit: Violence in Contemporary Representation Things to Watch For Fargo and American History X 1. Both of these films have peculiar TITLES, one marked by a placeholder for meaning (X, the variable, the open, the undetermined) and one that names a specific place. What do
MLA Publication Prize Winners for 2015 Competitions
Honorable mention: Eugenie Brinkema, Massachusetts Institute of Technology, for The Forms of the Affects (Duke Univ. Press, 2014) 33rd Kenneth W. Mildenberger Prize: For an outstanding publication in the fields of language, culture, literature, or literacy with strong application to the teaching of languages other than English: James P.
Review Editor, Harry Kloman,
The Forms of the Affects By Eugenie Brinkema. Duke University Press, 2014. xi + 347 pp. $23 paperback, $15 kindle. Reviewed by Alina Haliliuc Eugenia Brinkema's The Forms of the Affects is a bold correc tive to affect scholarship in film studies. While she resonates with the impulse of the affective turn to bring more embodiment and material
Volume 59 Issue 4 Article 9 2017 Goldberg Variations
might hear an echo of Eugenie Brinkema s challenging concept of mise-n en-scène in Goldberg s ideas about cinematic understatement: Alongside what we hear or see [in films] there is something unheard and unseen. The relationship between what is there and what isn t is far from evident (83).3 Unlike Brinkema, Goldberg never
Derrida's Political Emotions
Affect: A Critique , Critical Inquiry, 27 (Spring 2011), 434-472; and Eugenie Brinkema s Ten Points to Begin in The Forms of the Affects (Durham & London: Duke University Press, 2014), xi-xvi. 6 Rei Terada, Feeling in Theory: Emotion after the Death of the Subject (Cambridge, Mass. & London: Harvard University Press, 2001), 2.
21L.435 Violence and Contemporary Representation Questions
Eugenie Brinkema NOTES: A. The period of texts for this paper is the material from weeks eight through ten (White Masculinity; Girls/Women/Psychic Assault; Sex/Desire/Fragmentation). B. If you haven t already, do read the packet I ve given you on Scholarly Writing.
Affect 2015 syllabus
Eugenie Brinkema, Ch. 1, A Tear That Does Not Drop, but Folds from The Forms of the Affects CW Barbara H. Rosenwein, Working about Emotions in History CW After class: Screening of Peter Sollett, Raising Victor Vargas (2003). Anyone who can t make the screening can view the film at Hillman. Thurs. Oct. 15-Sat. Oct. 17
Eugenie Brinkema in conversation with Ruth Mayer
1Eugenie Brinkema and Ruth Mayer www.returnoftheaesthetic.de Eugenie Brinkema in conversation with Ruth Mayer: Colors Without Bodies This e-mail interview takes off from the talk Colors Without Bodies: Wes Anderson s Drab Ethics, delivered by Eugenie Brinkema at the international conference The Return of the Aesthetic in